Friends share these notes in the week in memory. The magazine drew from IMAGINARY. http://www.imaginaria.com.ar/12/4/destacados.htm
Some people think that bad and sad things are best forgotten. Others believe it is good to remember, that There are bad and sad things will not happen again because of this, because we remember them, because they do not cast out of our memory. "
Graciela Montes
The coup and the kids
March 24 is the Day of Memory in Argentina. Remember this date the fall of democratic government because the military coup in 1976 imposed a brutal dictatorship in the country. As part integral to the cultural life of Argentina, the world of literature and books for children and young people suffered the ravages totalitarian state, which was expressed, among other atrocities-censoring authors, banning books and chasing publishers. Since the return to democracy and for its consolidation process, some authors expressed in their works, both fiction and gender-testimonial in various facets of this national drama as a legacy for younger generations. It is a way of not forgetting, of knowing what happened, to preserve the collective memory the right of citizens to live in a society where freedom and justice will never again be enslaved. We offer a relationship
of articles that appeared in Imaginary on this topic. These materials are referred mostly to situations which have occurred in Argentina but also owing to their similarity terrible-we decided to include two articles that refer to the Pinochet dictatorship in Chile. Roberto Sotelo
Children's books banned by the military dictatorship in Argentina. Fragments of the issue A blow to the books (1976-1983)
Texts from the issue A blow to the books (1976-1983) . Includes testimonies of women writers Laura Devetach , Elsa Bornemann and Graciela Cabal ; of Augusto Bianco editor and translator, and editor Daniel Divinsky . 
Fascicle A blow to the books (1976-1983)
About exhibition "A blow to the books (1976-1983)," Management General Book and Reading Promotion, under the Ministry of Culture, Government of the City of Buenos Aires, has edited this issue supplementary texts and images related to the content of the sample. The issue was conducted by a team (Marcelo Almida, Ursula Kaufmann, Ezequiel Grimson, Fernando Molenaar, Marina Orlandi, Adela Ponce de León, Silvia Roldan Rodriguez and Julian), coordinated by Judith Gociol. 
An elephant takes up much space , Elsa Bornemann
During the last military dictatorship in Argentina, October 15, 1977, a decree of the Board ordered the banning of two books for children. The move also involved the kidnapping of the editions and copies circulating in bookstores. It was An elephant takes up much space of Elsa Bornemann and Birth. Children and love of Agnes Rosenstiehl, a guide to sex education for children. In a tribute to the former, Imaginary presents history data and the cover of the first edition. 
The people who did not want to be gray , Beatrice Barnes Doumerc and Ajax
The people who did not want to be gray , with text and illustrations by Beatriz Doumerc Ajax Barnes was one of the books banned during the military dictatorship in Argentina between 1976 and 1983. We present two pieces of text, with accompanying illustrations. 
Opening windows to other worlds. Interview with Graciela Montes
by Gladys Bravo
"Knowledge and power are related, a person who may know more. One of the pillars that sustains the unjust power is in ignorance. When it is not known how things work there is more room for injustice, if one is aware it is more difficult to subdue. Those who exercise arbitrary power, no authority, would be keen to avoid that knowledge. " His treatment of issues such as power, democratic institutions, human rights, is developed by Graciela Montes in this report which is reproduced in the magazine Education in our hands.
Devetach Interview with Laura. Or how to write in the sand and build a landmark tower
by Elisa Boland
"There are so many ways [of reading literature] as people, probably, but the important thing is to address the literature can be addressed art, music, dance, pictures, ie a dive, a 'be', a letting go and in any case the discussion will after or simultaneously. " Article reprinted from the journal La Mancha.
When fiction comes from hell
by Antonio Skarmeta
" Often writers are faced with a terrible question: What really happened like? Readers seeking the truth behind the fantasy works. They know that literature is a peculiar way of dialogue with the world and expect to find signs on the shared experience of living in this world, understand it better. " Chilean writer recounts the process of creating your book composition, inspired by an incident that happened during the Pinochet dictatorship.
composition by Antonio Skarmeta, illustrated by Alfonso Ruano (Caracas, Ediciones Ekaré, 2000)
Review by Roberto Sotelo
"This story is set in a Latin American country in the 70's . At a first glance the book, the author's nationality and the uniforms of the soldiers presence evokes dark memories, sad and probably sent to the adult reader enthralled to Chile by the Pinochet dictatorship. Anyway, the story and the pictures may be common to any country that has been ruled by fear and intolerance. 
The Sting and the boys , Graciela Montes (Buenos Aires, Ediciones Bermudagrass-Colihue, 1996)
Review by Sandra Comino
"The book is divided into two parts: first, the story chronicles the events from the 1976 coup, the history of the Mothers of Plaza de Mayo and World Cup 1978 as a cover-up the reality of state terrorism and the beginning of democracy, the government of Alfonsin, the trial of the commanders, the laws of Punto Final and Due Obedience and the pardon granted by Menem in 1990. On the other hand, a corpus testimonies of children, missing children, provides a set of voices that have a difficult time. " 
"Read why in the XXI Century? In search of the book that bites
by Sandra Comino
"An old proverb, which survives from the fifties, says that" The books do not bite '. And I wonder, does not bite? And remember I heard that as a child in school: 'Read the books do not bite. " And I wonder: a story like 'The plant Bartolo' by Laura Devetach , which frightened those in power, will not it bite? " 
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